• Dublin Gay Theatre Festival: First Day Back

    Returning to the International Dublin Gay Theatre Festival after a four-year hiatus, Canadian playwright and performer Rob Salerno provokes this year’s audience with his one-man show First Day Back.  The production marks Salerno’s second with the festival, making its premiere in the basement of Dublin’s Outhouse, where the leading man conjures a high-school classroom for a set which includes both stage and house.  Featuring an array of characters all embodied by Salerno, the drama captures a group-counseling session held in response to the suicide of one of the school’s students.  Where killer is victim and victim killer, Salerno depicts adolescence…

  • Dublin Gay Theatre Festival: Blind Date

    Following the recent debut of their first full drama Beasts, fledgling company Home You Go Productions premieres its second play Blind Date in the back half of the 12th Annual International Dublin Gay Theatre Festival.  Written and directed by Colette Cullen, the show sits at a digestible 60 minutes with two separate acts and no intermission.  As the title suggests, the show’s content concerns dating, specifically the awkward world of blind dating.  Though Cullen halves her opus in two distinct experiences, the acts speak to each other in startlingly parallel ways, and they colour one another with nuance that would…

  • Dublin Gay Theatre Festival: By The Bi

    Mounting the second installment of their debut production By the Bi, Blazing Change Players brings an amorphously piquant performance to this year’s International Dublin Gay Theatre Festival. As the title suggests, all matters bisexual are concerned. More interestingly, however, By the Bi is the only production confronting such issues within this year’s festival, the lone voice of its own middle ground. Having premiered a few months ago in the Virginia stomping grounds of co-writers and founders Caroline Downs and Morgan Barbour, this first stop in the show’s budding travelogue marks an important step in the fledgling theatre troupe’s beginnings. Both…

  • Dublin Gay Theatre Festival: Going Up @ Teacher’s Club

    Debuting a boisterous story of Manhattan in a quiet corner of Dublin, Penny Jackson’s Going Up launches the International Dublin Gay Theatre Festival with an intimate and whimsical charm. Played by two performers, the one-hour piece ensnares two incompatible characters in a frustrating scenario: a stuck elevator. One is short, straight, neurotic to the point of heart failure, and unnervingly loud. The other is tall, gay, composed to the last stroke of eye-shadow, and equally loud. At first glance, the situation reads as a hackneyed setup where the fun lies in watching opposing forces collide while finding unlikely commonalities. Yet…

  • Dublin Gay Theatre Festival Preview: Bird

    Just before a major move of show from South Africa to Dublin, playwright and performer Marnitz van Deventer chats to us about the impact of past relationships, story-telling as the heart of performance, and bringing a South African flavour to Dublin’s International Gay Theatre Festival. Hi Martniz. Can you tell me a little bit about Bird and the creative process behind the show? Sure.  Bird is actually a story of the self before, during, and after a relationship.  I guess the story started three years ago when I was in a relationship with somebody, and I fell head-over-heels in love…

  • Dublin Gay Theatre Festival Preview: Going Up

    Amid chaotic preparations in shipping out from NYC to Dublin, playwright Penny Jackson sits down with us to discuss her success as a writer both on and offstage, the lead-up to the debut of her brand new show Going Up at this year’s Dublin Gay Theatre Festival, and how she believes in the power of theatre to foster social change. Hi Penny. How’s everything going with preparations for Going Up? Fantastic.  The script was just published online—newyorktheatre.com—people are reading it, plenty of great responses.  I have a lot of fans here in New York, and I would love to have…

  • Dublin Gay Theatre Festival Preview: Blind Date

    Less than a month away from staging their company’s second full-length production at the International Dublin Gay Theatre Festival, producer Madeleine Roche and writer/director Colette Cullen of Home You Go Productions sit down to chat about their latest installment, Blind Date. Covering both past success and future aspirations, the pair discuss using theatre to break social boundaries by helping audiences find commonalities.  As gay issues move further into the limelight and touch more lives every day, they find the timing of their piece and the festival as poignant as could be. So tell me about the creative process behind Blind…