Long one of our favourite acts in Ireland, The Bonk‘s modus operandi is endlessly fascinating, playful experimentation in song and improvisation, led by (former O Emperor) songwriter and multi-instrumentalist Phil Christie. Gathering influences from 60’s garage, jazz and experimental pop, the band bring recursive rhythms and improvised melodies together in minimalist song forms. Their first record, 2017’s The Bonk Seems To Be A Verb had a limited cassette run through label thirtythree-45, and was a collection of one-off live studio takes patched together from various sessions over an 18-month period. Today, we’re pleased to announce that for their second long player, the Bonk have again teamed up with the thirtythree-45 imprint…
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Paul O’Connor – of That Snaake notoriety – has shared with us his latest release under the Licehead banner, which follows up on last year’s Music For Normal People album, and precedes upcoming summer LP Perfect Death Forever, which is set in a modern Ireland and based around a reincarnated lung’s attempts to kill its host. An aural equivalent to peeling-paint walls-closing-in claustrophobic hysteria, Friends at its extremes recalls the torpid squalor of Fat White Family or The Fall in dada-techno mode. Partly written over the last two months, the EP sees O’Connor turns the pen upon himself and loved ones, and societally-ingrained truths; title track ‘fRENDS’ is itself a reworking of ‘I’ll Be There For You’,…