George Best: All By Himself begins in darkness, with the voices of commentators eulogising George Best’s remarkable footballing talent, before the dreamlike moment is shattered by a recollection of Best’s ex-wife Angie of seeing a homeless man walking along the road, only to realise it was George. In Daniel Gordon’s documentary, football is secondary to the tragedy of Best’s personal demons, as Gordon attempts to unravel the enigma and get to the root cause of the star’s dramatic decline into alcoholism. Gordon’s film unfolds in a largely chronological structure, taking the audience from Best’s humble beginnings, through his meteoric rise…
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A ninety-minute avant garde documentary about George Best, set to live music and performed in an art deco cinema, might sound like something from the 1970s alternative arts scene, particularly when only one of the footballing superstar’s goals is featured. But this is Belfast in 2016 and the catalyst for this future-retro Best tribute is Dublin composer/musician Matthew Nolan, who specializes in putting music to silent/avant-garde films. The film in question is “Football Like Never Before”, shot by German film-maker Helmuth Costard in 1970 and released the following year. Eight 16mm cameras tracked Best for the full ninety minutes of…