The rock press has made much of Stephen Malkmus’ reinvention on Groove Denied, his first solo LP to lack any contributions (credited or otherwise) from his Jicks bandmates; publicised as an homage to the minimalism and analogue electronics of late-’70s and early-’80s post-punk, it’s been received as a left-turn for a songwriter closely associated with ’90s indie noise. Malkmus discussed the new direction with Rolling Stone recently, explaining: “I guess everyone has their distorted self-image, and I have one where I think I’m a music-maker who can go anywhere” – and though the album reflects this playful approach, one might highlight his awareness…