“We are all born mad. Some remain so.” It’s been a wait alright. Six years, in fact, for the first English presentation of Waiting for Godot at the Happy Days International Enniskillen Beckett Festival. Had Vladimir and Estragon – Samuel Beckett’s beloved vagabonds from his landmark play – had to wait six years in vain for Godot to arrive, they surely would have hanged themselves from that famous tree. Previous editions of the festival have seen renditions in Yiddish, German and French – the language of the original manuscript – and now, like buses, two performances in English by different…
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One of the great things about the Happy Days Enniskillen Beckett Festival – and there are many – is the opportunity to experience rarely performed Samuel Beckett plays. The Old Tune, for one, doesn’t get too many run outs. Perhaps that’s because it’s comedic portrayal of two elderly men struggling with memory and the onslaught of modernity is considered too light for serious Beckett actors and directors – anxious to sink their teeth into the meatier existential stuff. However, in the hands of nuanced actors Barry McGovern and Eamon Morrisey, and with the subtle guidance of Director Conall Morrison,…