It’s too far to see the expressions or to hear the reactions of the rowers gliding past as they observe twenty figures clad head to toe in black-hooded robes like Medieval monks, walking silently along the riverbank in single file. A penny too, for the thoughts of the two children, and their dog, on the opposing bank of The River Erne. The ‘audience’ in this immersive piece of theatre is moving to the rhythms of Samuel Beckett’s radio play Cascando, headphones under hoods relaying this new interpretation by the award-winning Pan Pan Theatre. Created by Aedin Cosgrove and Gavin Quinn…
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A broken mind is a terrifying notion. Once gone, so too, has a large slice of the humanity. Isn’t that why we hurry past the insane, with their babbling interior monologue, on the street? It’s a brave playwright who subjects an audience to the mad jabbering of a fractured mind, delivered relentlessly at the speed of thought for a dozen minutes. And in the pitch black, with only the speaker’s mouth illuminated. Samuel Beckett, who was many things, was nothing if not a courageous writer. Beckett’s Not I, a powerful and unsettling portrait of the isolation of madness, returned to…