Ahead of Devil’s Night Disco this Halloween Eve in Dublin, Loreana Rushe talks to renowned composer Claudio Simonetti about performing the acclaimed soundtracks for Profondo Rosso and Suspiria live with Goblin and how horror as a genre has shaped his work. Hi Claudio. I’m very happy to be chatting to you and looking forward to Devil’s Night Disco in Dublin, which promises to be a very special show on Halloween weekend. How are you currently preparing for the double bill? We’re very fortunate to perform Profondo Rosso and Suspiria for a long time and I don’t think we’ll have any trouble in doing a…
-
-
Fuck Horror. As grandiose as a statement that it is, I hate most modern horror films. Not because I intrinsically hate the genre, nor because I am a cynical, hate filled cretin. No, I hate modern horror because it categorically spoils the things necessary for horror films to work. To be blunt, horror has always been somewhat of a second string cinematic genre. With it’s central aim being prick-teasing animal instincts, it’s no wonder that most horror films have been the kind of cheese ridden b-movie that one associates with Hammer and Christopher Lee. For the greater part of cinema…