Sweden’s iamamiwhoami are a curious wee thing. Self releasing electronic albums every year with corresponding YouTube videos providing a unique visual interpretation of the soundscape the band creates. Their third album, Blue, is not different. For the sake of this review, we’ll be stripping away all of the multimedia whizzbang flashiness and looking at the album in isolation. In this regard, Blue is an interesting but ultimately straightforward synthpop album. The thick, deep bass synths cover the low of the mix, like some kind of heavy musical butter or a laboured simile. The vocals range from the silky and ethereal…
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Jonna Lee set the bar high when she released her impressive debut album Kin in June of last year. The Stockholm-based artist, under the moniker Iamamiwhoami, produced one of the most captivating electronic records of 2012, laden with art-pop grandeur and trip-hop intricacy. The audiovisual release followed a series of videos posted online, dubbed the ‘prelude’ to Kin – now a year later, those tracks have been released properly to form a spiritual prequel: Bounty. The album opens with ‘B’, an uncomplicated piano piece with echoing vocals heaped on. From the first listen it’s a pretty yet unremarkable song, and…