It is a wonderful thing when Hollywood actually develops some backbone and throws their weight behind filmmakers like writer/director Trey Edward Shults (Krisha). His latest genre bending horror, It Comes At Night, is incredibly brave filmmaking, as even the title is deceptively chosen – some might call it false advertising. This is an intelligent and tautly crafted horror, with its base set in the dystopian nightmare genre, but there will undoubtedly be detractors who may feel shortchanged by the elusiveness in showing what the ‘It’ fully entails. Set at a time of mass extinction for the human race, Joel Edgerton (The Gift)…