In 2018 a British TV miniseries, Kiri, was revered for admirably broaching the contentious topic of transracial adoption. Viewers and critics alike applauded the series bravura performances, so much so it went on to receive two BAFTA nominations. The composer of its score, Chris Clark (a.k.a Clark) clearly shares the same infatuation, feeling that he wanted to revisit and rework the series soundtrack for his tenth studio album.  On his first LP playing away from the ever-wonky Warp (home of Aphex Twin, Brian Eno, Oneohtrix Point Never), boundaries are tested. It’s clear that this ambition of Kiri was. Never one…