It’s safe to say most of us are probably glad The Horrors have, over time, evolved towards the more psychedelic end of the spectrum of nonchalance. Looking back to their 2007 album Strange House, it’s as though they are a completely different band. What we see now is a fully developed group without the trappings of their earlier (one would hope) record-label-enforced Goth gimmickry. Their career is almost a reflection of the transition from one’s adolescence to one’s mid-twenties (or am I projecting?). Strange House was full of blatant attitude, angst, hair-dye and eyeliner; and if you listen carefully, amid…