Catalyst Arts Gallery’s latest exhibition, Hyperobjects, runs from Thursday, November 7 until December 5, with its opening night featuring a sonic performance from Jez Riley French with his piece, island | fjórar (dissolve). French uses uses intuitive composition, field recording, improvisation & photography to explore emotive responses to places and situations, with an interest in largely unnoticed, unreachable sounds. He has recorded resonances of architectural spaces and structures, the sounds of insects feeding, and recently spent time recording the sound of glaciers melting in Iceland. His work has been exhibited in the Tate Modern & Britain, Iceland’s Harpa & Mengi, The Whitworth, the Museum of Contemporary Art Tokyo, and…
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Few modern outfits have collaborated and flaunted convention quite as abundantly (or consistently) as Matmos. The San Francisco experimental electronic duo, aka M.C Schmidt and Drew Daniel, have spent the last three decades banging heads together – as well as lining up with the likes of Terry Riley, The Kronos Quartet, David Tibet, the Rachel’s, Lesser, Wobbly, Zeena Parkins, and the Princeton Laptop Orchestra – to carve out an increasingly singular sonic trajectory. At the heart of the duo’s implicit manifesto is a uniquely curveballing and reliably curious M.O: from sampling everything from freshly-cut hair and washing machines to an array of plastic objects, to…