Though Wire were always renowned for their musical transformation over three short years in the late ’70s – from the art school punk vignettes of 1977’s Pink Flag through to the icy, doomed post-punk of 154, stopping off at the transitional Chairs Missing in between – it’s no great surprise that 40 years into their career they don’t always possess this same level of invention. It’s not necessarily a bad thing though – while their last outing, 2017’s Silver/Lead could be possibly be described as samey, it was also their most solid and consistent work in a while. At once…