For those with a finger on the pulse of Ireland’s eminently reputable electronic music scene, Neil Kerr’s Mount Palomar alias and output – though in its semi-infancy – should be fairly familiar by now. With a burgeoning homegrown fanbase and increasingly frequent overseas appearances in the likes of Panorama Bar, Kerr’s development as an authentic purveyor of the analog has been a refreshing expedition to observe. While his debut offering Black Knight’s Tango saw the Falls Road native looking up and gazing into the endless cosmos beyond the nocturnal orange haze of inner city Belfast’s streetlamp sky, The Perils of…