A conversation The Thin Air’s Stevie Lennox had with Chris Ryan that delves further into Robocobra Quartet’s process, including authorship, membership of the band, the philosophy of creativity or ‘good art’, punk rock, some stories regarding how the lyrical content of the album came about, as well as a little ‘Phil Collins in-the-studio’ self-indulgence. Photos by Ruth Kelly Art is defined by those who have achieved autarky in their process, and if drummer, vocalist, composer and producer Chris Ryan is the brain and beating heart of the idiosyncratic avant-punk collective Robocobra Quartet, he’s fully aware the remaining organs and limbs…
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Take some seedy post-punk jazzy brass, heavy anchored basslines, sporadic nuanced drum fills, and the expressive vocal stylings of the beat generation’s slam poets and you’re left with a vaguely accurate depiction of Belfast’s own Robocobra Quartet. Music for all Occasions is a fascinatingly fierce attack on the Irish music scene. The nine track collection is refreshingly ambitious and entirely bold throughout, with wandering variations of song length, style, and approach. It’s a very complete record designed to be listened to and appreciated from beginning to end. Lead single ‘Correct’ opens the record and immediately sets the tone for everything…