Having finally announced Tomorrow’s Harvest – the follow up to 2005’s magnficent The Campfire Headphase – Steven Edward Rainey casts his mind’s eye back fifteen years to revisit Edinburgh duo Boards of Canada’s landmark 1998, Warp-released debut album Music Has The Right To Children. _____ Gazing out at us, stand seven figures. Two are turned away, whilst the remainder are directly facing us. Against a mountain background, this sexless group of adults and children pose for a photograph, immune to the effects of time or geography, their faces rubbed away to reveal a smooth, featureless surface, betraying nothing. In a realistic…