When Chris Dexter first emerged into the mainstream consciousness back in 2010, he was surrounded by much talk in the music press about the so-called ‘Witch House’ genre and was joined by a slew of seemingly like-minded contemporaries, most notably the likes of Salem and Purity Ring. While it was a tag that Dexter attempted to eschew, the similarities were unavoidable — their releases all utilisisng a now-familiar mix of hip-hop, pop and shoegaze to form a hazy blend that had hacks squirreling away at their keyboards. Some three years later and we are now belatedly presented with the first…