A couple of weeks ago, we premiered Son Zept‘s 40-minute debut EP, released through Belfast experimental electronic imprint Resist. Ahead of it, we met with Liam McCartan to discuss his involvement in Belfast’s Sonic Arts Research Centre – where he’s currently composing for a PhD – and Resist, where he’s been instrumental in its growth from club night to label, alongside founders Koichi Samuels & Helena Hamilton – where in terms of enabling his prolificity, “it’s a constant dialogue – we already have a 2 or 3 EPs idea”. Being staunchly individual, but instrinsically linked to both institutions, the Q2B EP strikes a midpoint between the bodies he’s most involved with and McCartan…
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Liam McCartan, AKA Son Zept, releases his debut today, and it’s one of the most exciting, forward-thinking electronic releases to emerge from here in some time. Parallels could be drawn with the likes of Autechre or Aphex Twin from an experimental standpoint, as his Q2B EP reveals McCartan as a true polymath, where concern with ideology is tantamount to creating limitless club potential. Brimming with atmosphere punctuated by his dense ‘polypatternism’, the Q2B EP is a work of deconstructed club music that alludes to the memory-triggering aspects of techno, noise, trance, power-ambient and industrial, often falling into umbrella of electroacoustic composition. We’ll have a full interview with Son Zept in the coming…