A recurring theme in Ridley Scott’s late-career return to the Alien universe, with 2012’s Prometheus and now Alien: Covenant, with more possibly on the way, is the disappointing and disastrous consequences of hubristic father figures chasing perfection. The ill-received Prometheus, part Alien teaser, part Lindelofian word cloud, spun its mythic pretensions into a gorgeous, cynical and narratively garbled take on will and birth, outlining how humanity’s space-monk creators tried to wipe us out once they realized their children’s deep, deep failings, deploying a weaponised virus that escaped their control. A formulaic monster horror with an interest in sci-fi abstractions, Covenant…
-
-
Ridley Scott is not a great director. In the past the man has made great films such as Blade Runner and Alien, which represent some of the strongest efforts Sci-Fi has to offer. But having made eleven films in twelve years, the majority of which toe the line between mediocre and awful, Scott’s lack of consistency showcases how fundamentally he is not a great director. But he can be. When given the right script, Scott can allow well formed story to transcend itself and become something much more than the sum of its parts. When the news that Scott’s new…