‘I’m an outlaw’, declares Alden Ehrenreich’s young Han in Solo: A Star Wars Story, the latest in Lucasfilm’s line of standalone spin-offs. Emilia Clarke, playing Qi’ra, the One Who Got Away, laughs. She doesn’t believe him. And neither will anyone watching. Kylo Ren’s call to ‘let the past die; kill it if you have to’ is great storytelling advice masked as Oedipal anxiety, and it’s advice that post-prequels Lucasfilm, addicted to the past, is unable to grasp. Lucasfilm can’t kill the past because the past is the golden goose. Solo, written by father-son Kasdans Lawrence and Jonathan, and directed, in…
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Everyone needs a nemesis. It’s undeniable; a nemesis inspires, keeps one’s internal momentum constant and forces a person to think of new and interesting ways to screw over their rival. The importance of nemeses and the depths to which we sink to spoil our adversaries is the central conflict that exists at the heart of Ron Howard’s latest film, Rush. The film focuses on the rivalry between two Formula 1 drivers during the 1976 season: the English James Hunt (Chris Hemsworth) and Austrian Nikki Lauda (Daniel Brühl). Beginning in the Formula 3 division in 1970, the film follows their rise…