Co. Kerry experimental folk trailblazer Ronan Kealy aka Junior Brother handpicks a selection of records that have left an indelible imprint on his music and life Photo by Leah Carroll Planxty – The Woman I Loved So Well Whenever I stick this album on, without fail I become lost in its world of folk characters, and in its landscape of field, castle, ditch and twilight. The whistle tune at the end of the final song, ‘Little Musgrave’, is as close to the sound of ascending to heaven as I’ve ever heard on record. Kate Bush – Hounds of Love Like…
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Ronan Kealy’s evolution as an artist has been a rare delight to behold. The Co. Kerry singer-songwriter known as Junior Brother has all but single-handedly upended the (granted, somewhat kneejerk) conception of experimental folk on these shores. It’s a trajectory, the power of which shines searingly through new single ‘No Country For Young Men’. The follow-up to last October’s inspired ‘Life’s New Haircut’, it’s a masterfully mesmeric effort that explores the culture shock – and straight-up experiential doom – of Kealy’s relocation to the capital. “I wrote this song in response to the tangible feeling of dread and anxiety I…