The word ‘ought’ touches on probability; the coulds, woulds and shoulds. It is a word often used with critical intent to highlight the shortcomings of a project. Room Inside The World, the third album from Canadian post-punk quartet Ought brings forth an unfortunate case of nominative determinism. What should have been a triumphant return instead presents a band struggling to find their identity and a cohesive sound in the light of a changed dynamic. On their latest record Ought scarcely resemble their formerly distinct selves, shifting instead towards a style that veils their individuality. This is a record that…