Few Irish artists have shapeshifted convincingly, or as consistently, as Phil Quinn. Over the years, the Belfast musician has offered up an abundance of first-rate sounds as – or as a member of – Charles Hurts, Gross Net, Girls Names, and Grave Goods, as well as recent collaborations with the likes of Aoife Wolf. It’s a winding and immersive path that leads very nicely to peak hue. A homophone for their initials, PQ, the new solo project’s first release, safe room, instantly hits like a clean, meditative break from the more ardent, beat-heavy post-punk they’re rightly lauded for. Ahead of the three-tracker’s release on 3rd February, its…