Whether you look to Ireland or further afield, few artists cut such a compelling and fiercely individual figure as Waterford’s Katie Sullivan AKA Katie Kim. Four years on from the magisterial, slowcore-tinged indie-folk of her second album Cover and Flood, the Dublin-based musician has returned with its extraordinary, fully-realised follow-up, Salt. A nine-track ode to the unknowable sway of memory, transience, indestructible love, the spectre of loss & longing and what Kafka called the Indestructible, sparsely plucked guitars, disembodied piano shapes, washes of droned ambience and quietly-woven percussion plait to propel Katie Kim’s wonderfully esoteric, deeply-felt inner narratives to a realm of almost meditative poise and intent. Recorded with John…