Gloria Bell is something of a gear change for Sebastián Lelio after his Oscar-winning A Fantastic Woman. That film was a sobering deep dive into transphobia that drew fire from trans critics for dog piling woes upon a trans woman with little substance to back it up. Gloria Bell, an American remake of Lelio’s own 2013 film Gloria, is a much more nuanced and life affirming proposition The film’s opening act is a master class in patient character building. We follow Gloria, a fifty something year-old divorcee, as she sings love songs in the car, checks in on her distant…