Someone once said, “hype is a dangerous thing” (which it can be, depending upon who or what is being hyped and, perhaps more importantly, who or what is creating the hype). Just under a year since the release of their debut single ‘Flying To Berlin’, London all-female quartet Savages have been moth-to-bright-light attractive to a very contemporary type of hype – all thanks, that is, to the b-side from the debut single in question. A chromatically descending, shrieking slab of claustrophobic antipathy, ‘Husbands’ felt like a fully-formed masterstroke; a lost post-punk gem propelled by an energy and urgency that came…