I remember the summer of 2008 pretty fondly, with a cracking European Championships, a family trip to Australia and the release of the Dark Knight refusing to be overshadowed by the Russian invasion of Georgia, Nickleback’s ‘Rockstar’ dominating the airwaves and the impending doom of the move to “big school”. Despite my adventures, it was an even busier summer for Metronomy’s Joe Mount, who was making a step into the big leagues of his own: with the impending release of his second album under the Metronomy moniker, Nights Out, Mount was becoming more involved with the London scene than the Devon nightlife that inspired his band’s…
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Metronomy are just one of those bands. On average the group have released a full record every two to three years, each one to more acclaim and appreciation than the last. From their wonky, wild sophomore record Nights Out to the refined pop reflections of Love Letters they’ve been a group whose steady rise through the ranks has looked almost easy. So easy in fact that it’s hard to imagine that it’s been a whole decade since the release of their outrageous debut Pip Paine (Pay the £5000 You Owe). ‘I suppose I’m part of the furniture,’ muses Joe Mount.…