You’d be forgiven for considering a new T-woc release to be cause for celebration. It’s not that they’re few and far between (well, maybe a bit), it’s because they’ve historically been amalgamations of a few releases rolled in to one well-contained, shimmering, sonic entity. A patchwork of styles, energies, paces and sounds are sewn together to meet the creative vision of Mick T-Woc Donohoe – the Irish Mad Professor-esque engineer behind the sound desk, cutting and pasting, layering and editing until each track becomes a juxtapositional segue to the next. As mad-cap as this approach may have played out on previous releases (see 2011’s Jetstar),…