L.A.’s Flying Lotus (Steven Ellison) has had a somewhat circuitous musical journey since releasing his debut LP in 2006. Taking its title from his birth year, 1983 saw the beginning of a series of full-length releases that harked back to concepts and ideas – memories even of life and place – that were intrinsic to the beatsmith’s musical identity. These sonic origins, as heard on 1983 and Los Angeles, compounded the variety of deep and melodic hip hop instrumentals that J Dilla and Madlib had long been well known for, but Ellison’s interpretation of the mix-tape style was unique. It…
-
-
The success or failure of a remix compilation can be entirely down to the approach of the label and artist responsible for the output. One approach, which favours commercial acclaim over artistic integrity, can fairly easily culminate in a product that ultimately brings on the same harrowing feeling as finding the biscuit tin devoid of all deliciousness and filled with fig-rolls instead; a dark hour in the lives of many. Think Sasha’s latest Involv3r monstrosity. Actually, don’t do it to yourself. You deserve better. Thankfully though, Clark (Chris Clark) has taken the more fruitful direction with his latest effort Feast/Beast,…