A dwindling genre still pushed by naturally rise-averse studios, the young-adult dystopic takes the us-versus-the-world siege mentality of the average teenager and kits it out with hyperbolic, now-predictable apocalyptic flourishes. A mysterious virus; economic breakdown; savage totalitarianism; stirrings of revolution. Adapted from the first novel of Alexandra Bracken’s YA trilogy with a screenplay from Chad Hodge and direction by Kung Fu Panda’s Jennifer Yuh Nelson, The Darkest Minds pits adults against kids with a savageness that’s almost comic. Youngsters either drop dead, get hunted by psycho bounty hunters, or find themselves herded into concentration camps to scrub boots for sociopaths in balaclavas. Even…
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The heroine of young-adult romance Everything, Everything, adapted from Nicola Yoon’s novel of the same name, lives in a bubble. Thanks to a complicated autoimmune condition, Maddie (Amandla Stenberg) is vulnerable to the common bacteria bugs of everyday life. For Maddie’s own protection, her mother, a doctor and her only living family, keeps her inside their specially designed, expensive-looking, air-sealed house. After she got sick as an infant, she’s never ventured outside the home. So she stays inside, reading books and blogs about them on her nice Mac, while dreaming of a life outside of the see-through walls. In concept,…