• Destiny (Multiformat)

    It is fair to say that the development company Bungie knows a thing or two about making videogames. With the critically acclaimed, million selling Halo franchise in their portfolio, they would have been forgiven for hanging up their boots and never working on another project again. However, with that incredible success comes the incredible expectation that has weighed upon the release of Destiny since its initial announcement. It has, in one way or another, evaded neat pigeonholing, described in some quarters as a first person shooter in an open world setting, and in others as commingling MMO and RPG mechanics. It has variously been…

  • Axis Of – The Mid Brae Inn

    Punk-cum-pop trio Axis Of release the their second album, The Mid Brae Inn, on New Year’s Eve through Smalltown America. The three – comprising Ewen Friers, Niall Lawler & Ethan Harman – launched their debut album Finding St. Kilda in the same venue over two years ago, an altogether more punk affair. ‘Wetsuit’ – the first track to get airplay from The Mid Brae Inn – hints at a much more indie-pop direction for the band who were out-and-out hardcore no more than five years ago. Time will tell whether or not it’s a complete revamp for the outfit, but it’ll be interesting to see how…

  • Conor Scott – Watch Me Go

    Singer-songwriter and oft-spotted Belfast busker Conor Scott releases his debut three-track EP Watch Me Go on November 17. The as-yet-unsigned musician’s EP will be available from iTunes and Amazon. He’s gained a lot of steam following his performance on BBC vocal-based talent show, The Voice – a reality show at least based on some discernible talent – and his songs have taken him on tour across the UK, performing in venues like Liverpool’s Cavern Club. The official launch takes place at Aether & Echo on November 18, and support comes from the impressive selection of local acts in experimental folk artist Joshua Burnside, folk-pop act New Ancestors and…

  • iamamiwhoami – Blue

    Sweden’s iamamiwhoami are a curious wee thing. Self releasing electronic albums every year with corresponding YouTube videos providing a unique visual interpretation of the  soundscape the band creates. Their third album, Blue, is not different. For the sake of this review, we’ll be stripping away all of the multimedia whizzbang flashiness and looking at the album in isolation. In this regard, Blue is an interesting but ultimately straightforward synthpop album. The thick, deep bass synths cover the low of the mix, like some kind of heavy musical butter or a laboured simile. The vocals range from the silky and ethereal…