• Sampha – Process

    Sampha is an artist who has spent the vast majority of his music career as a fleeting shadow of brilliance on tracks by some extremely famous artists. You may be able to place his sullen vocals on Beyoncé’s ‘Mine’, Frank Ocean’s ‘Alabama’, Kanye West’s ‘Saint Pablo’, Drake’s ‘Too Much’ and several appearances on SBTRKT‘s 2014 album Wonder Where We Land. When not appearing beside some of the biggest names in rap/hip-hop, Sampha has been quietly releasing EP’s every now and then, simultaneously preparing for his first full release, building expectations for what was to come. When he was three years old Sampha Sisay’s father…

  • Rebekka Karijord – Mother Tongue

    The emotional transfiguration of becoming a mother is something that the majority of people take for granted. On her latest album Mother Tongue, Rebekka Karijord has documented that spectrum of emotion that permeates motherhood, from agonising torture to euphoria. Born in Sandnessjøen, just south of the Arctic Circle in Norway, Karijord moved to Sweden to train as an actor and has composed music for over 30 films, modern dance and theatre pieces, as well as writing plays and short stories. All of this reveals itself through repeated listens to the album as we delve further into her frame of mind. Based…

  • The XX – I See You

    The XX are a band that harness negative space within music to create an atmosphere so chillingly retrospective that in most cases it need only be listened to underneath moonlight. The trio slid anxiously into the industry with their debut, XX, an album that, unbeknownst to them, would become an international success. The suave blend of spacious indie-electronic beats provided by Jamie (xx) Smith and the minimal vocals of Romy Madley Croft and Oliver Sim proved them to be the perfect vessel for conveying the vernacular of heartbreak and loss. Following this was 2012’s Coexist, an even more stripped back, sparsely…

  • Æ MAK – I Can Feel It In My Bones

    On their debut EP I Can Feel It In My Bones Æ MAK have produced something that is inherently joyful to listen to. Childlike glee permeates the EP; not in the sense that it’s immature or undeveloped, but in the sense that it’s pure and unadulterated. This is complimented by the lyrical knowledge projected throughout, urging the listener not only to dance, but to be mindful, to observe oneself without making judgement. The duo chant “Run away/forget your place/let the other piece fall into place” in the title track, highlighting the amalgamation of those qualities. The release follows from ‘I Can Feel It…