• While We’re Young

    March 25, 2015 - By 

    Two years ago, Noah Baumbach made an absolute treat of a film called Frances Ha. It was an intelligent and emotionally resonant film about Millennials, finding direction in life and the idea of maturity in the modern age; basically a version of Girls wherein you didn’t want every character to hurl themselves into a great big bin. For his next film, While We’re Young, Baumbach wisely has chosen to go back to the same well, albeit with a slightly different viewpoint. This time around, Baumbach shifts the view from people in the early 20s to those in their early 40s.…

  • Cobain: Montage of Heck

    March 22, 2015 - By 

    In April of 1994, Kurt Cobain died of a self-inflicted gunshot wound to the head. He left behind a wife, an infant daughter and a legacy as one of the last true rock gods. In the intervening 21 years, a messianic persona has been grafted onto this young man from Aberdeen, Washington. His face is plastered on t-shirts and posters the world over to the point where he has become an apolitical Che Guevara for angry misunderstood adolescents to identify with. There is a plethora of retrospective articles, unauthorized biographies and crackpot theories relating to the man, his music and…

  • Modest Mouse – Strangers To Ourselves

    March 17, 2015 - By 

    Given their track record, the announcement of a new Modest Mouse record should be cause for excitement; lest we forget Lonesome Crowded West and The Moon and Antarctica. While their 2007 effort, We Were Dead Before This Ship Even Sank, was somewhat lacking, the group have such a unique sound and energy that this could be written off as an unfortunate blip in an stellar track record. Sadly, while Strangers to Ourselves does have many excellent tracks it, fundamentally, is a messy and disappointing album. Beginning with a solid one-two of ‘Strangers to Ourselves’ and ‘Lampshades on Fire’, the album…

  • Lightning Bolt – Fantasy Empire

    March 4, 2015 - By 

    You need to be careful when choosing an album opener. The track needs to be the clearly defined mission statement of the album, but also needs to be what you’re willing to hang your hat on if all else fails. First impressions only come once. So it’s odd that, for their latest LP, Fantasy Empire, the noisy, experimental duo known as Lightning Bolt would choose to begin with something as standard as the album opener, ‘The Metal East’. The track is by no means bad. It’s loud and exciting with enough twists and jagged edges to poke your eyes out…

  • Viet Cong – Viet Cong

    February 10, 2015 - By 

    Viet Cong really know how to make an entrance. The first moments of their self titled debut LP contain those drums; they’re almost tribal with intensity but they’ve been distorted and muffled to the stage where they achieve this kind of industrial vibe, evoking the likes of the Manic Street Preachers’ ‘Intense Humming of Evil’ and Nine Inch Nails’ ‘Mr. Self Destruct’. It’s this kind of deeply unsettling atmosphere that the likes of Einstürzende Neubauten just revelled in and gives the band a clear mission statement: for these Canadians, it’s still the mid 80s, and Joy Division, Echo and The…

  • R51 – Pillow Talk EP

    January 29, 2015 - By 

    Belfast’s R51 latest EP, Pillow Talk, has got powerful weapons hidden in it’s arsenal. The release is awash with lush guitars, brutal riffs and a genuine excitement. The influence of the Smashing Pumpkins, Sonic Youth and My Bloody Valentine is evident throughout. However, rather than parroting what those bands have done, the band seem intent on mixing these sources with their own voice to create something refreshing. Centrally though, the band seem intent on straddling that fine line between artistic and accessible and while they may not always be successful in that goal, they still knock it out of the park…

  • Val Normal – Fly The White Flag of War

    January 25, 2015 - By 

    The importance of editing should never be underestimated. It takes a lot for a person in any creative medium to step outside themselves and be able to recognize that, while you may be intensely proud of what you’ve made, some of it needs to be cut off to save the rest; a kind of apoptosis. Never forget that, while a cheeky wee guitar solo can be essential, after a point it’s just diminishing returns. It’s nigh on impossible to count the number of genuinely interesting prog rock songs that have been lost to unwieldy length and arrogance on the part…

  • Sleater-Kinney – No Cities To Love

    January 23, 2015 - By 

    If, after ten years and numerous highly influential albums, you want to call it a day, that’s perfectly fine. That old Neil Young line about burning out holds as much weight now as it did in back in 1979. But if you are going to reappear without warning, you’d better have a damn good reason. You can talk about legacy ultimately being redundant, but how many great bands are tarnished by a bad comeback album. The Pixies’ Indie Cindy is a record chock full of cuts that wouldn’t be considered C-sides back in their heyday, the world wasn’t begging for…

  • Birdman

    January 6, 2015 - By 

    There are many motifs that come to mind when discussing Alejandro González Iñárritu. A deft comedic hand is not really one of them. An overly long trip on the Expresso-Depresso bus to Interconnectivity of Life Boulevard with a brief detour through Ugly Face Of Humanity Avenue is more akin to what has come to expect from a man whose work included 21 Grams, Amores Perros and Babel. His films are often negative to a fault, as is the case with his previous effort, Buitiful, which painted a portrait so devoid of any kind of salvation that you lost all sympathy…

  • Tokyo Godfathers: A Hunky Dory Christmas

    December 22, 2014 - By 

    Christmas films are a tough nut to crack, if you’ll pardon the pun. They require an almost faultless balance of pathos and sentimentality, lest we forget that “It’s a Wonderful Life” is about the failure of common man and suicide as well as angels attaining wings. If you go too far in one direction, you can end with a film which seems insincere, idiotic and full of saccharine trust. The inverse of that is you end up with a nasty, hateful film which just sneers at the audience. Every now and then, a film gets the balance just right; Satoshi…