• Little Women

    Grab the green bin. Greta Gerwig’s dropped in one last gift. Little Women, the seventh cinematic (re)telling of Louisa May Alcott’s much-loved novel, is a perfect film for the dark, weird, listless days that trot along right behind Christmas. It’s Gerwig’s third directorial effort, and the second time she’s written and directed, after the slow-burn brilliance of 2017’s Lady Bird (Saoirse Ronan’s best movie). The ensemble domestic drama follows the troubles and triumphs of the March’s, a contented but economically limited household in Civil War-era Massachusetts, as four sisters and their mother await their pastor patriarch’s return from the conflict,…

  • Certain Women

    [This review contains mild plot spoilers] I wasn’t surprised to discover, just a few hours after watching Kelly Reichardt’s Certain Women, that the film’s three, loosely connected narratives were adapted from a collection of short stories. (The author of these stories is Maile Meloy, and the collection from which they’re drawn is called Both Ways Is the Only Way I Want It.) Like a good short story, each of Certain Women’s segments offers a concise but rich glimpse into other lives, places and experiences. And, while each part could easily stand alone as a minor-key indie drama, they interlock in…