• Pavement Announce Galway Show

    Galway is getting a long-awaited Pavement show. Five months on from their incredible two-night stint at Vicar Street in Dublin as part of their second reunion run, the Stephen Malkmus-fronted indie rock heroes will play live at the Heineken Big Top as part of this year’s Galway International Arts Festival on 24th July. Tickets go on sale this Friday, 31st March. Revisit our gallery from the first of the band’s 2022 Dublin shows, features on Slanted and Enchanted and Wowee Zowee, as well as Monday Mixtape from the one and only Bob Nastanovich.

  • Pavement Set for Dublin Show

    Indie rock legends Pavement are coming back to Dublin. 11 years on from last playing the city, the Stephen Malkmus-fronted band will play Vicar Street on November 10, 2022 as part of their latest reunion. The show follows a string of dates in the UK, including four dates at the Roundhouse in London. Tickets for the Dublin show go on sale this Friday, September 10 at 10 AM. Best be quick.

  • How Wowee Zowee by Pavement Captured the Sheer Unbridled Joy of Making Music

    In the mid-90s, everything was about being BIG. In the US, Nirvana had proved there was an appetite for loud, scratchy punk-influenced rock music. In the UK, bands like Oasis and Blur were showing that indie was the new mainstream, conquering the singles charts, as well as the album charts. There was big money in making big music, and a canny band – if they played the game – stood every chance of making it BIG. And in the face of such opportunity, rock’s perennial slackers made their play, and began their slow slide towards smallness. For album number three,…

  • 25 Years On: Looking Back at Pavement’s Debut Album Slanted and Enchanted

    Slanted And Enchanted, Pavement’s debut album, has aged oddly well in the twenty five years since its release. It’s an album that hundreds of bands have tried to ape and one that few indie rock bands have ever equalled. It would be easy to say that its an album that exceeds the sum of its parts but that would be doing a huge disservice to the band themselves. From Stephen Malkmus’ laconic delivery of his oblique witticisms to the lo-fi/hi-fi quality of the recordings themselves to the band’s winsome way with melody, it’s an album that never fails to delight…

  • Monday Mixtape: Bob Nastanovich (Pavement/Silver Jews)

    Ok, we admit it: our predisposition to mid-Nineties American indie rock is pretty marked. Now that we’ve combined forces and shoved the elephant out of the room, let’s get down to business. Following in the ridiculously tasteful footsteps of Quasi’s Sam Coomes, as well as our very own Ciaran Lavery, Niall Kennedy from And So I Watch You From Afar, Ciarán Smith from Crayonmith and Girls Names‘ Claire Miskimmin, U.S musician and all-round good guy Bob Nastanovich is next up for this week’s Monday Mixtape. A glaringly charimastic member of Pavement and Silver Jews, Nastanovich selects some of his all-time favourite songs from the…

  • Parquet Courts – Sunbathing Animal

    There must be a sense of relative trepidation whenever an underground band are thrown into the media spotlight from the depths of relative obscurity, and viewed by many a rock critic as the latest bearers of the indie rock torch. That sort of instant exposure was something that befell Brooklyn via Texas natives Parquet Courts, in the early part of last year, following the release of their second record Light Up Gold, especially after the success of the utterly infectious ‘Stoned and Starving’. Light Up Gold was considered a little rough around the edges, which resulted in the group being…

  • Stephen Malkmus & The Jicks – Wig Out at Jagbags

    Whether he likes it or not, Stephen Malkmus is one of the building blocks of indie rock, an essential strand of DNA that manifests itself in certain choices and attitudes towards music that have dominated the agenda since about 1990 or so. And since the messy dissolution of dear, departed Pavement back in 1999, he has more or less done everything he can to distance himself from that role, picking up his guitar, and soloing long into the 21st century, reinventing himself as a kind of Jerry Garcia for the post-Nirvana age. Which, it might generally be assumed, is a…