Ida is a modest but beautiful Polish-language buddy road movie from Pawel Pawlikowski, who returns to his homeland for a gorgeously vintage story of histories both personal and political. The sheltered Anne (Agata Trzebuchowska) is a novice nun in Sixties Poland, who has been living in the convent since she was abandoned as a child. Before she takes her vows, she is sent to meet her only living relative, the hard-drinking, cynical Aunt Wanda (Agata Kulesza), a former prosecutor with the Stalinist regime, and get a taste of the secular world she is preparing to reject. Anne’s benign ignorance give way to a complex…
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Destruction, Shrapnel, Evil Invaders and Lost Society collectively brought the noise at Dublin’s Voodoo Lounge on Saturday night. Photos by Carlos Daly.
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The Evertides played upstairs at Whelans last night with support from Miriam Donohue. Photos by Mark Earley.
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In his review of the album in the first issue of our physical magazine – out now – Mike McGrath Bryan called Too Rich For Our Blood, the debut album by Dublin indie-rock trio Women’s Christmas “an enjoyable excursion into the pop sensibilities of its constituent parts.” And that it is. Comprised of members from Villagers, Jogging and I Heart the Monster Hero, the band have delivered on what came across in our Inbound feature with them back in February. If you like your lo-fi catchy and your catchiness lo-fi, this is well worth a listen. Women’s Christmas will play…
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Shaun Neary captures American singer-songwriters Howe Gelb and Grant Lee Phillips at Whelan’s, Dublin.
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“I’ve got two tickets to Iron Maiden, baby…. I mean Wheatus, sorry, my bad!” Rory Coomey caught the Northport pop punkers rambunctious set on the Cork leg of their Irish tour.
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Belfast-based folk singer-songwriter Michael McCullagh AKA Meb Jon Sol has been on something of a far-reaching musical expedition since his Colenso Parade days. A far cry musically from the starry-eyed indie pop of the latter – now defunct – Omagh five-piece, McCullagh’s debut solo album bears the lyrical and thematic imprint of wisdom and experience throughout, each track underpinned by the inner workings of wanderlust or quixotic wondering. Preceded by “yeo!”-generating singles ‘Leave All Your Troubles With Me‘ and ‘Captain of this Ship‘, Southpaw Niños strikes a keen balance between self-reflection and knowingly cavalier abandon, McCullagh’s quasi-mystical, eager tales of the open road and distant…
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Unlike many genres of music susceptible to the prefix ‘post-’, post-punk stems from largely traceable foundations. Just as the first wave of punk rock formed via so-called ‘protopunk’ pioneers in Velvet Underground, The Stooges and MC5, post-punk represented the inevitable manifestation of punk rock’s reaction against itself. In other words, despite what it apparently implies, post-punk did not arrive ‘after’ punk: it formed and co-existed alongside it, mirroring its DIY values whilst looking towards a more rigorous aesthetic of artistic complexity beyond punk’s stripped-back musical revolution. Whilst not exactly an outright ‘Year Zero’ or some pre-determined period of rebirth at…
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If you weren’t one of the lucky few to witness its launch at Dublin’s Workman’s Club last night, check out Le Galaxie’s video for ‘Carmen’ (featuring Fight Like Apes‘ May Kay and comprised of fan footage) below. We’re fans.
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Last night Le Galaxie launched their interactive partnership with Pulse by Absolut at Dublin’s Academy with the release of their video for ‘Carmen’, the Dublin band’s new single featuring May Kay from Fight Like Apes. Le Galaxie granted Shaun Neary exclusive backstage and soundcheck access leading up to the main event. Over the course of the evening, Lorcansface worked his make-up magic on the lads, covering Mick’s glorious beard in shades of blue that would give Tim Harrington a serious run for his money. Le Galaxie were also joined on stage by Elaine Mai for their sleek Summer anthem ‘Lovesystem’. The entire night was a…