• Women’s Work Festival

    March 1, 2016 - By 

    A programme inspired by the likes of Kate Bush and Bjork, the seeds of forthcoming inaugural Women’s Work Festival at Belfast’s Oh Yeah Centre were sown amidst planning for the 2014 International Women’s Day event at the Belfast venue and music scene. Two years on, the festival – that will highlight, celebrate and showcase women in music, as well as facilitate discussion with industry and artists on the issues surrounding the debate – is a fully-fledged,  proposition, set to take place from its launch with legendary DJ Annie Nightingale on Friday, March 4 until Friday, March 11. Set to be a wonderfully eclectic and important festival…

  • Watch: Bad Bones – Games

    March 1, 2016 - By 

    Set to play the next installment of Psykick Dancehall – our new night with Medium presents at Dublin’s Bello Bar – Dublin producer Sal Stapleton AKA Bad Bones released her shadowy, wonderfully cloistered first gambit last month in the form of ‘Beg’. Going one better, her new single ‘Games’ is a delicious slice of darkly electronica weaving perfectly-spliced beats, bobbing bass and modulated vocals in a fine, cimmerian mesh of noise. Check out the video for ‘Games’ – also created by Stapleton – below.  

  • Watch: Moon City Boys – City

    March 1, 2016 - By 

    Stockholm four-piece Moon City Boys recently released their new track, ‘City’, a song which, for those of us outside of Sweden who haven’t had the pleasure of seeing them live yet, served as only the fifth piece of officially released music to come from the band. Having formed in 2011 but conscientiously taking their time before putting out a lengthy release, the group have released two 7″s to date, the Rockets/Stranger in 2014 and Let My Love Dance/Washing Machine in August 2015. Each of the songs on those releases showcased a group with clear influences taken from the likes of Jefferson Airplane (‘Washing Machine’) and The…

  • Ciara O’Neill – The Ebony Trail

    March 1, 2016 - By 

    The modern folk music scene is all too often seen as the playground of minimal imagination. In recent years it has divided opinion more than most and rightfully so, suffering as it does from sub-par input with lazy, introspective lyrics and generic instrumentation. Such is the dilution of the genre, it takes something special to stand out and demand attention. Ciara O’Neill’s album, The Ebony Trail is a largely sparkling piece of work with inventive themes, ideas and directions yet it is also an album which occasionally fails to match its own high standards. Ciara takes a worn out trope and twists it into something…