The Chills haven’t been here for a bit, their last show being at The Button Factory in 2014. That was the year before Silver Bullets, their first album in nearly 20 years, came out and served as a perfect reminder, or introduction, to Martin Phillipps’ perfectly executed pop writing. That such an album would come out after years of quiet and be great isn’t common. That such an album would only be the start of a string of excellent albums, all in the 4th decade of The Chills’ existence, is cause to marvel. And so you can marvel to your…
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When it comes to The Chills‘ comeback, a great many folks have been running with the return-from-the-wilderness narrative. Not surprising considering it has been 18 years since their last album proper, 1996’s lackluster ‘Sunburnt’, and the subsequent publicity fade-out. One can imagine, however, that not for one second did Martin Phillipps stop running through melodies in his head. You can also imagine that he wasn’t going to launch back into it until he was good and ready. And so Silver Bullets, the result of a recent, joyously-consistent flurry of activity, suggests there’s a whole lot to be said for taking…
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Last year, Californian experimental indie rock quartet Deerhoof released their twelfth studio, La Isla Bonita, having spent the last twenty years unfailingly re-inventing themselves as one of the most exciting and downright inimitable bands of their generation. Ahead of Cork, Dublin and Belfast shows on Tuesday, August 18, Wednesday, August 19 and Thursday, August 20, the band’s vocalist/bassist Satomi Matsuzaki and drummer Greg Saunier about their legacy, their expectations and memories of playing Ireland and their mantra of always looking forward. Photo by Chad Kamenshine Hi guys. What stage are you at right now as regards another album? as soon as one comes out, are…