Set to perform the Oxjam Takeover in Dublin this evening, we’re pleased to present the first of three exclusive live videos by one of the city’s finest alt-pop bands, Floor Staff. Filmed at Elektra Studios, the video – featuring the band performing the earworming ‘Gift Horse’ – was directed by Bob Gallagher. The music was record by Chris Barry and James Feeney. Go here for the Oxjam Takeover Facebook event page and watch the video below.
Teenage Mutant Ninja Turtles combines two of the least appealing trends in current pop culture. The first is an unearned nostalgia for television cartoons that were already pretty ropey to begin with (only worsened by the recent dominance of the listicle). The second is the relentless grimification of pulpy comic book material for the PG-13/12A multiplex crowd. TMNT is an inexplicable and gormless film, which seems to have been made with some fictional demographic in mind. There’s none of the pulpy stylishness of the comics, or the light-hearted silliness of the television series. It’s a Nickelodeon production but I can only imagine children will be quickly bored by the unending humourlessness…
For the last couple of years, Richie Egan has been residing in the Malmö, Sweden, recording material that will rear its head on Jape’s forthcoming fifth album, The Chemical Sea. As was perfectly illustrated in Ian Pearce’s photo feature with Egan last year, there was no shortage of equipment and sonic gadgetry at the latter’s disposal in the studio, something that is more than evident on ‘The Heart’s Desire’, a new track melding Hot Chip-esque electro musing and forward-moving synth-pop that is unmistakably Jape. The Chemical Sea will be released in January. Stream ‘The Heart’s Desire’ right here.
Taking place from November 14 to November 22, the eighth annual Outburst Queer Arts Festival will return with eight days and nights of world class and new local, theatre, performance, film, visual art and discussion, celebrating lesbian, gay, bisexual and transgender creativity in venues across the city of Belfast. From neo-cabaret duo Bourgeois & Maurice (pictured) and a screening of 52 Tuesdays to David Hoyle’s Queer History Tour and Gayllifrey: a queer celebration of Doctor Who, the festival traverses each and every creative medium to deliver a festival “sharing and exploring LGBT experiences and bringing exciting, entertaining and challenging new work to…
In his review of the album in the first issue of our physical magazine – out now – Mike McGrath Bryan called Too Rich For Our Blood, the debut album by Dublin indie-rock trio Women’s Christmas “an enjoyable excursion into the pop sensibilities of its constituent parts.” And that it is. Comprised of members from Villagers, Jogging and I Heart the Monster Hero, the band have delivered on what came across in our Inbound feature with them back in February. If you like your lo-fi catchy and your catchiness lo-fi, this is well worth a listen. Women’s Christmas will play…
Belfast-based folk singer-songwriter Michael McCullagh AKA Meb Jon Sol has been on something of a far-reaching musical expedition since his Colenso Parade days. A far cry musically from the starry-eyed indie pop of the latter – now defunct – Omagh five-piece, McCullagh’s debut solo album bears the lyrical and thematic imprint of wisdom and experience throughout, each track underpinned by the inner workings of wanderlust or quixotic wondering. Preceded by “yeo!”-generating singles ‘Leave All Your Troubles With Me‘ and ‘Captain of this Ship‘, Southpaw Niños strikes a keen balance between self-reflection and knowingly cavalier abandon, McCullagh’s quasi-mystical, eager tales of the open road and distant…
Unlike many genres of music susceptible to the prefix ‘post-’, post-punk stems from largely traceable foundations. Just as the first wave of punk rock formed via so-called ‘protopunk’ pioneers in Velvet Underground, The Stooges and MC5, post-punk represented the inevitable manifestation of punk rock’s reaction against itself. In other words, despite what it apparently implies, post-punk did not arrive ‘after’ punk: it formed and co-existed alongside it, mirroring its DIY values whilst looking towards a more rigorous aesthetic of artistic complexity beyond punk’s stripped-back musical revolution. Whilst not exactly an outright ‘Year Zero’ or some pre-determined period of rebirth at…
If you weren’t one of the lucky few to witness its launch at Dublin’s Workman’s Club last night, check out Le Galaxie’s video for ‘Carmen’ (featuring Fight Like Apes‘ May Kay and comprised of fan footage) below. We’re fans.
The first single to be taken from her new EP, Adornament, Dublin-based New York artist Cal Folger Day has released the wistful, minimalistic ‘Homez-a-Place’. As with her previous EP, Drom-d’reau, the rudiments of Adornament were recorded on an 8-track in Woodstock, New York. According to Folger Day, “Those analog frameworks were then frankensteined to vocal takes captured in Brooklyn and Dublin”. The track – pieced together by Forest Walker Christenson in Columbus, Ohio – features violins, drum machines, guitars, wurlitzer and vocals, evoking the likes of Julia Holter, Lisa O’Neill and Belfast-based musician Caroline Pugh. Watch the video below.
Slow Skies @ The Sugar Club, Dublin – Wednesday, October 8 Having released their slick, elegiac Keepsake EP at the tail-end of last month, fast-rising Dublin dream-pop duo Slow Skies will surely spellbind Dublin’s Sugar Club on Wednesday, October 8. Catch them before they go positively stratospheric. Fox Jaw, Gascan Ruckus, Th Greased Palm @ Voodoo, Belfast – Thursday, October 9 Limerick band Fox Jaw (recently abbreviated from Fox Jaw Bounty Hunters) bring their gloomy alt-rock up North for the Belfast launch of their new album, Ghost’s Parades, at Voodoo on Thursday night. Belfast-based acts Gascan Ruckus and The Greased Palm make…