• The ddr. Radio Logs. Entry #1: Why Radio?

    In the first of a new monthly series by residents of Dublin Digital Radio, exploring their practice and the craft of radio-making, ddr. co-founder and Time Slip host Seán Finnan asks: “Why radio?” As of this month, Dublin Digital Radio is starting a new column in The Thin Air. Each month, the radio logs will focus on a different resident who contributes to the ever-expanding range of music and sound that has found a home on the station’s stream. Our approach to the column will aim to be as varied as the attitudes to radiomaking found on our platform; residents,…

  • Watch: ‘Document: A Film About Malojian’

    If there’s one thing we could all take from Joe Berlinger and Bruce Sinofsky’s 2004 Metallica film Some Kind of Monster it’s that fly-on-the-wall, “in-the-studio” documentaries can – given the wrong variables – capture a very unique kind of tension and uncomfortable atmosphere. Something of the polar opposite of that (in more ways that one) Colm Laverty’s exceptional Document: A Film About Malojian captures a band whose chemistry and compatibility as a unit is, in itself, endearing, entertaining and hugely watchable. Featuring the Stevie Scullion-fronted band recording their exquisite third studio album This Is Nowhere with the towering Steve Albini at his Chicago studio…

  • Europe. Endless? 40 Years of Kraftwerk’s Trans-Europe Express

    “At the still point of the turning world. Neither flesh nor fleshless; Neither from nor towards; at the still point, there the dance is, But neither arrest nor movement. And do not call it fixity, Where past and future are gathered. Neither movement from nor towards, Neither ascent nor decline. Except for the point, the still point, There would be no dance, and there is only the dance.” -TS Eliot  Nothing gave life to the potential of a common European consciousness, if you let me away with that word, quite like the neurons of railway lines that lie across its…