Sometimes a side project starts to outgrow its parent band. Such appears to have happened recently with Portland’s Moon Duo, formed by Wooden Shjips’ vocalist/guitarist Ripley Johnson with his partner Sanea Yamada, with the latter band’s lack of activity since 2013’s Back to Land allowing Moon Duo’s more recent releases to fill the gap. Despite plenty of similarities in sound, swapping the Shjips’ looser psych for an increasingly mechanical krautrock sound has seen them gradually become the more essential of the two, and fourth album Occult Architecture, Vol. 1 has done nothing but cement that. Part one of a “two…
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Cork based electronic producer and promoter with the Diffract club night, Lighght, has released a new track. And yes, before you ask, it is of course swirling, atmospheric edit of Jamelia’s 2003 R&B classic ‘Superstar’. Duh. Having put out a variety of glitching, industrial tracks reminiscent of Nicolas Jaar and Dorian Concept in the past year or so, the producer will be releasing more singles and audiovisual projects in the coming months as well as continuing to host the regular Diffract events.
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It being Valentines Day and all, Tayne, the brand new project from Matthew Sutton, guitarist from It Was All A Bit Black And White, has unveiled the spick and span video for his debut single ‘Heartbeat’. The Galway native, London based musician first debuted his new musical endeavour back in December with a suitably glistening cover of Fleetwood Mac‘s ‘Dreams’. Stepping further into the light then, Tayne’s debut original track is a dazzling synth pop romp that will satisfy fans of All Tvvins and The Naked and Famous. With more to come from the artist in the coming months, enjoy the flashy video for ‘Heartbeat’…
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Independent Irish publication Critical Bastards have announced details of an open submission for their 14th issue – the theme for the forthcoming issue is ‘Hope‘. Critical Bastards is a vital and engaging publication that seeks to open dialogues surrounding art in Ireland. Their last issue was an audio version to do with ‘Work‘ with the issue previous to that a print version with the theme of ‘Resourcefulness‘. We’re big supporters and fans of the work CB do and encourage all to submit! The closing date is March 14th with more info on submission requirements here.
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This Friday sees artist Cliona Harmey in Cobh’s Sirius Arts Centre for a discussion around her practice. Harmey made a series of visits to Cobh and Sirius Arts Centre in both 2015 and 2016 as she continues to work on new projects. This new work will be discussed alongside a pair of short films made last year at Hawlbowline Naval base with members of the Irish Defence forces. Harmey’s practice has often taken on naval themes which was most notably executed in 2015’s wonderful Dublin Ships installation – see photo above. The talk kicks off at 1pm on Friday with more information…
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Today is that last to see Belfast Exposed’s Interactions exhibition. The show sees photographic artists who have taken part in the gallery’s Futures Programme over the last two years who have come together to explore human presence in both real and imaginary landscapes. Some of the most exciting photographers in Ireland are featured in the exhibition, including Ciaran Og Arnold (2015 First Book Award winner), Yvette Monahan (2016 Solas Prize shortlist) and Jan McCullough (2015 Kassel Fotobookfestival Dummy Award). The work on show is a combination of past projects displayed alongside new pieces of work, and represents a fantastic opportunity to catch some…
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TULCA Arts Festival returns for it’s 15th edition this November and key details about the festival have been released. Matt Packer, Director of CCA Derry~Londonderry, has been announced as this year’s curator, with the festival itself being titled They Call us the Screamers. The title is drawn from the Jenny James novel of the same name, which details the establishment of the therapy commune (Atalantis) by James in the West of Ireland in the 1970s. With this in mind this year’s festival narrative is a look at “anti-modernism, cultural withdrawal, primal voice, self-enlightenment, and an attempt to establish new forms of social relations in…
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Hollywood loves a comeback. It’s a narrative that always seems to come into play around awards season and it’s been a longer road back for Mel Gibson than most. Incredibly, it’s been ten years since the Oscar-winning director of Braveheart (1995) last stepped behind the camera on 2006’s Apocalypto; also, not coincidentally, the year of Gibson’s anti-Semitic tirade that came after an arrest for drink-driving. Finally, with his new film Hacksaw Ridge, a story steeped in redemption and tolerance, Gibson is ready to stand triumphantly atop the mountain again. Hacksaw Ridge is the tale of real-life World War II veteran…
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Today and tomorrow are the last days to catch the Ban an Tí exhibition in The Chocolate Factory on King’s Inn Street. The show is a multi-artist response to the home as a female space, and looks at the domestication of femininity and the role of women in modern Irish society. Ban an Tí features a broad range of mediums from a multitude of artists, including Orla Langton, Kathryn McShane and Rachael Kelly – who was recently long-listed for the Aesthetica Art Price 2017. As well as installation work, performance art is also included with tomorrow seeing Léann Herlihy performing A glove is a gift at 3pm. The space is open…
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Opening this Saturday, February 18th, in Drogheda’s Highlanes Gallery is Modern Experiments – a look at the work of one of Ireland’s most intriguing and beguiling artists: Susan MacWilliams. The exhibition features work from MacWilliams’ extensive back catalogue, with focus on her output since 1998 when she began to use video as a medium. The show is a cross-border collaboration between both the Republic and Northern Arts Councils, which saw the show open in F.E. McWilliam Gallery & Studio prior to Christmas, before been shown here in Highlanes, and then moving onto Uilinn in Cork and Butler Gallery in Kilkenny. You can…