Since its inception, international metal blog Doomed & Stoned has went to great lengths to appraise and give voice to the heft-inclined communities across time and space throughout its sprawling back catalogue of compilations, from obvious hotspots like Portland, to 70s proto-doom, to current day Asia. Incredibly, they’re all available on Bandcamp, on a name-your-price basis. Being one of our most fertile and certainly overlooked creative grounds, it’s vindicating then, that no less than 24 tracks from all corners of Ireland’s doom, stoner & sludge scene comprise Doomed & Stoned In Ireland, the latest in the series. Outright sludge-doom exports like Nomadic Rituals and Slomatics, who’ve played stoner Mecca – Roadburn Festival – and beyond, are represented alongside…
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One of the finest metal releases Ireland will see this year comes in the form of the long-awaited debut from Banbridge blackened sludge/doom trio Owlcrusher. Its three long songs – including the obligatory eponymous track – were recorded by Niall Doran at Start Together Studios in Belfast. The album came out on Seeing Red Records, and is available to order in a limited CD run, with vinyls in the works. A sprawling, funereal affair, it has harsh, distant, blackened vocals from guitarist Andrew Speir and evokes the crushing sorrow of the likes of Warning and low end devastation of Yob. Live, the band are a must-see. Owlcrusher…
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We’re over the moon – and indeed, the universe and its eventual demise – to premiere the gargantuan second album from one of the heaviest bands on this rock, Belfast-based heavy primal doom trio Nomadic Rituals. In the band’s own words: “‘Marking the Day’ was created as a concept album envisioning the birth and death of the cosmos, and ultimately focusing upon our subsequent place within it. From the formation of physical matter and structure of the universe; to the division of the first single cells and the evolution of the dominant species; to the final and inevitable heat death of the entire…
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Rejoice, rosy-eyed Neanderthals, for your patience has been well rewarded. It’s been an age and a score (or four years to be precise) since last we were gifted with a new Electric Wizard LP, and anticipation has been boiling for months since it was announced that Wizard original, Mark Greening, would be taking a seat behind the drum kit for the first time since the trance-inducing Let Us Prey in 2002. It has already been an absolutely stellar year for doom metal with cumbersome offerings from favourites such as Conan and EyeHateGod, so it’s hard to not feel spoiled filthy…