• Brookyln

    November 9, 2015 - By 

    Judy Garland shut her eyes and clicked her heels and repeated her spell but she was only half right. There’s no place like home, but there are also many places like home. Given enough time and familiarity, potentially everywhere can feel like the place you’re supposed to be. The fluidity of home and its irresistible pull over us is the focus of emigration drama Brooklyn, directed by John Crowley and adapted from Colm Toibin’s novel by Nick Hornby, now becoming a solid interpreter of others’ works. At its heart is Eilis Lacey (Saoirse Ronan), who relocates across choppy waters from her barren 1950s Wexford town…

  • The Lobster

    October 28, 2015 - By 

    Eccentric Greek auteur, Yorgos Lanthimos, brings his dark and distinctive style to a much wider audience with his English-language debut, The Lobster. Happily though, more money and an incredible array of stars hasn’t seen Lanthimos compromise an inch in this beautiful, pitch black oddity. Set in a near future, which is minimalist and classicist in form- the world itself is completely recognisable to the audience- it is the rules of society that have been contorted and changed in The Lobster. David (Colin Farrell, at his deadpan best) finds himself alone after his wife leaves him for another man and, in line…

  • Macbeth

    October 9, 2015 - By 

    In recent years, screen adaptations of Macbeth have sought to make an impression by courting relevance. Geoffrey Wright’s 2006 film, starring Sam Worthington in the lead, tranposed Shakespeare’s blood-coated tragedy to modern-day Melbourne, putting the verse in the mouths of rough cokehead gangsters who wouldn’t look out of place on the Sons of Anarchy set. For the BBC’s 2005 ShakespeaRe-Told series, Peter Moffat turned the theatrical into the gastronomical, casting James McAvoy as an ambitious sous chef chasing Michelin star glory. This new Macbeth, directed by Justin Kurzel (his sophmoric feature after 2011’s The Snowtown Murders), is the first high-profile film adaptation of the…

  • The Martian

    October 2, 2015 - By 

    Improperly handled, optimism can be unbearable. One of the (many) problems with Chris Nolan’s Interstellar and Brad Bird’s Tomorrowland, two recent advocates for a return to space-age can-do adventurism in a jaded age, was their wild asymmetry between telling and showing. Both films were too breathlessly busy evangelising about mankind’s untapped potential to actually demonstrate that potential in action: ‘reach for the stars’ bluster can only get you so far. Ridley Scott’s The Martian, a highly polished and entertaining space castaway story based on Andy Weir’s novel, is sort of a fulfillment of these earlier film’s ambitions, selling its golly-gee…

  • The Visit

    September 15, 2015 - By 

    It’s hard to deny that M. Night Shyamalan has had one of the more interesting career trajectories in contemporary American cinema. Beginning his career with some middling rom/family-coms, Night found a frankly ridiculous level of success with 2001’s The Sixth Sense”, one of the very few Oscar nominated horror films. He followed this up with two decent, if not spectacular pictures before seemingly deciding to set his bed on fire. The Village and Lady In The Water quite rightly tanked while The Happening may well be one of the most unintentionally hilarious films ever released by a major American studio. Most of…

  • Irrational Man

    September 14, 2015 - By 

    Judge Thomas Spangler – the catalyst at the centre of Woody Allen’s latest dark-comedy, Irrational Man – is a creature of habit. Every day he jogs along the same route, drinks the same juice and stops to read the paper on the same park bench. His routine is, in fact, so constant and predictable that it actively plays a part in his own demise. Allen, too, follows a predictable routine. He exercises in the mornings, writes at the same desk all day, and watches baseball at the weekends. He once famously missed an Academy Awards ceremony because it clashed with…

  • Absolutely Anything

    August 17, 2015 - By 

    On paper, Absolutely Anything sounds like a winning combination: not only does Terry Jones’s sci-fi comedy boast the (unofficial) screen reunion of the surviving Monty Python crew, but it’s also the final film appearance of the late, great Robin Williams – as a talking dog, no less. Despite everything, the film is wholly unremarkable, failing to generate more than a handful of chuckles throughout. Alongside lead Simon Pegg – who has helped pen some of the best British comedies in recent years – the talents of Messrs Cleese, Gilliam, Idle, (writer & director) Jones, Palin and Williams are all but…

  • Love & Mercy

    July 30, 2015 - By 

    The fidelity that musical biopics tend to have towards the chronology of public record – especially when the subject or their families are still alive, and liable to kick up a fuss over films playing fast and loose with their story – makes it difficult to know what parts to keep and what do ditch. Live fast, die young stories are good because you can fit everything in to a tight arc of glamourous decline. Complex, sprawling careers are more challenging, but can be can be reduced to a single period for convenience. Others take a more experimental approach, like Todd…

  • True Story

    July 28, 2015 - By 

    The last time James Franco and Jonah Hill were in a movie together, 2013’s This is the End, Hill got a Satanic cock up the ass and Franco was munched to death by self-appointed cannibal king Danny McBride. Franco and Hill trade up in the respectability index for True Story, a flat cat-and-mouse two-hander based on the ‘true story’ of Christian Longo, wanted by the FBI in 2002 for the murder of his family, and the disgraced journalist who wrote a book about him. Hill is Michael Finkel, an ambitious New York Times reporter who is fired for embellishing a cover story on modern slavery and…

  • Station to Station

    July 27, 2015 - By 

    Doug Aitken’s Station To Station – a collagist multimedia project spanning numerous major US cities and “off-the-grid” locations – is an unusual experience. Recorded over a three-week, four-thousand mile trip in late 2013, Aitken’s film encapsulates all manner of experiences and ethea in relation to being on the road in a contemporary America. Filmed on-board and around a customised, neon-coated train, and through a series of live “happenings”, Station To Station is at once frenetic and contemplative, not only in its content, but also its kaleidoscopic structure. Collaborators range from world-renowned musicians (Patti Smith, Jackson Browne, Beck), to experimental artists…