Grab the green bin. Greta Gerwig’s dropped in one last gift. Little Women, the seventh cinematic (re)telling of Louisa May Alcott’s much-loved novel, is a perfect film for the dark, weird, listless days that trot along right behind Christmas. It’s Gerwig’s third directorial effort, and the second time she’s written and directed, after the slow-burn brilliance of 2017’s Lady Bird (Saoirse Ronan’s best movie). The ensemble domestic drama follows the troubles and triumphs of the March’s, a contented but economically limited household in Civil War-era Massachusetts, as four sisters and their mother await their pastor patriarch’s return from the conflict,…
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Screenwriting 101, they say, is create conflict. Christine “Lady Bird” McPherson (Saoirse Ronan), the protagonist of writer-director Greta Gerwig’s Lady Bird, is a constant source of conflict, perennially fighting with all those around her. For what, she’s not always sure, it’s simply who she is. Her fighting is a form of self-expression, she’s fighting for her self-expression. As she says when a Father at her Catholic high school asks if “Lady Bird” is her given name- “Yes, I gave it to myself. It’s given to me, by me.” Set in 2002, Christine’s roller coaster final year of high school provides…