The title of Elaine Mai’s long-awaited debut album, Home, holds a lot of weight. Living through a pandemic changed the way we understand the meaning of the word, with many people left to create their own sense of home with what they had. For Mai, who has been an active figure in the Irish music scene for 10 years now, these nine tracks feel like a homecoming in themselves. Inviting a host of female collaborators to contribute to the album, this record further solidifies Mai’s esteemed place within the scene, and the home she has found within it. Home’s arrangements…
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In the latest installment of Track Record, our photographer Abraham Tarrush shoots We Cut Corners at home, as they flick through their record collection, selecting some of their all-time favourite albums. Majical Cloudz – Impersonator The reductive but potent combination of synth bass and baritone make for a heady minimalist mix of weighty songs that hang around long after the needle has left the groove. Ryan Adams – 29 Released the same year as Cold Roses and ‘Jacksonville City Nights, 29 is potentially Adams‘ most introspective and sombre album to date… and he’s had a few. Atmospherically nocturnal, at times almost bleak, it’s home…