Though there have been many reunions and recommencements in Irish music since we launched back in May 2013, none have demanded our attention more than the long-awaited return of Charles Hurts. A solo moniker of Belfast musician Philip Quinn aka Gross Net, who is also a one-third of Grave Goods and guitarist with the currently inactive Girls Names, ‘Living Under Lockdown’ arrives eight years on from his last Charles Hurts release (Blue Valentine, a stellar split with Hello Translinks? on CF/Recs). Taken from forthcoming three-track EP Squashed, which is released on July 3, it’s a typically phantasmal effort from Quinn, and a wonderfully balmy rumination…
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If we truly are living the end of days, at least there are those who can observe and comment on the doom, with a bit of dark humour and use of rhythmic beats to remind us there is a glimmer of hope in humanity. One such person is the man behind Belfast’s avant-garde electronic outfit Gross Net. Philip Quinn started the project back in the, comparatively tranquil, year 2014. His first release was the Cassette EP, when Christian Donaghey of Autumns was part of the Gross Net set up. Next came the second mini-record of Outstanding Debt, followed by the…
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An outright highlight from his first-rate debut album, Quantitative Easing, ‘Still Life’ by Belfast’s Philip Quinn AKA Gross Net is a song that wrestles dark tidings and psychic pain in impervious fashion. With its creeping Numan-esque bass-synth climb and stark drum machine patterns, a perfect maelstrom of noise is woven across the song’s masterfully suffocating six-and-a-bit minutes. Check out Autumn Andel’s new video for the single below and make sure to check out Quantitative Easing via Belfast imprint Touch Sensitive.
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Ahead of the release of his stellar debut LP via Touch Sensitive in November, Girls Names’ guitarist Philip Quinn AKA Gross Net talks to Brian Coney about money, sanity, impetus, authenticity and the fact “we’re all fucked”. Photos by Diarmuid Kennedy You release Quantitative Easing, on November 25. It follows on from Outstanding Debt, your collection of re-commissioned tracks from aborted releases. Once again, money is the pervading theme here. Cast your mind back ten years ago, did you ever envisage it taking such a hold over your art? Well… ten years ago releasing music, or making a slight bit of income…
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As one quarter of globetrotting Belfast band Girls Names, Philip Quinn has rarely been off the road recently. Currently enjoying some repose before a new string of dates with Girls Names in Europe throughout the Summer – including a highly-anticipated set at Electric Picnic on September 3 – Quinn’s attention is currently fixed on his work as Gross Net, namely Outstanding Debt, a new seven-track release which we’re pleased to premiere here. The first release for Austerity Drive, it’s a compilation of material mostly drawn from “several aborted releases” that eschews Quinn’s usual guitar-based approach in favour of inducing a netherworld of varyingly…