The return of Sleater-Kinney to Vicar Street in Dublin. Photos by Colm Laverty
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Olympia, Washington trio Sleater-Kinney will play Dublin next year. Set to release their St. Vincent-produced ninth studio album, The Centre Won’t Hold, in August, Corin Tucker, Carrie Brownstein, and Janet Weiss will stop off at Vicar Street on March 1st, 2020. The band last played the venue in 2015 as part of their No Cities To Love tour. Tickets for their show next March go on sale on Friday, June 21st at 10am, priced €33.65.
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Anyone who claims that Sleater-Kinney do not belong in the pantheon of great bands should be forced to listen to Dig Me Out, One Beat and The Woods until they can see how wrong they are. With their furiously impassioned lyrics, clever off kilter musicianship and jaw dropping live shows, they’re a trio who belong in every music lover’s heart, not just the punks or riot grrls. Despite their tenure, the group had not released anything which demonstrated how powerful and forceful they are on stage until Live In Paris. Recorded on the tour for their comeback album, No Cities…
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Less than six months on from announcing No Cities To Love, their first studio album in a decade, Sleater-Kinney are currently experiencing a remarkable rebirth and easily their most popular streak in their three-decade long career to date. The twenty-first show of a twenty-one date comeback tour that has seen them zig-zag them across the States and Europe, Carrie Brownstein (above), Corin Tucker (below) and Janet Weiss return to Dublin tonight a valiant and imposing alt-rock force; an unspeakably influential and headstrong threesome that has weathered the storm of changing scenes and industry to assert that they are, without a…
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Sleater-Kinney concluded their comeback European tour last night with a spectacular set at Dublin’s Vicar Street. Photos by Aaron Corr.
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Ahead of their Dublin show at Vicar Street on March 26, Brian Coney talks to Janet Weiss, drummer with the recently-reunited, impossibly influential Sleater-Kinney about getting back together, rediscovering the magic of writing and refusing to be ever consigned to the “girl band ghetto”. Hi Janet. Before touching on the reunion itself, in what ways do you think No Cities to Love – your first record in a decade – is a continuation, musically or thematically, from The Woods? I think that with so much time between The Woods and the new record, it’s not really a direct response to…
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If, after ten years and numerous highly influential albums, you want to call it a day, that’s perfectly fine. That old Neil Young line about burning out holds as much weight now as it did in back in 1979. But if you are going to reappear without warning, you’d better have a damn good reason. You can talk about legacy ultimately being redundant, but how many great bands are tarnished by a bad comeback album. The Pixies’ Indie Cindy is a record chock full of cuts that wouldn’t be considered C-sides back in their heyday, the world wasn’t begging for…
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Portland indie rock ex-husband and wife duo Quasi have unveiled the video to their pretty awesome new song, ‘You Can Stay But You Gotta Go’. Supposedly “inspired by Kenneth Anger’s work with the Monkees” the video is also described as a revolving visual on its YouTube page. ‘You Can Stay Buy You Gotta Go’ is the first single to be taken from the twosome’s forthcoming ninth studio album, Mole City. Formed in 1993 by Sam Coomes (The Donner Party, Heatmiser w/ Elliott Smith) and Janet Weiss (Sleater-Kinney, Stephen Malkmus and the Jicks, Wild Flag) are cited by many as being one…