“It feels like an attic in here.” This is the first thing a friend says to me when we walk into the upstairs room of the Roisín Dubh on a Saturday to catch one of the last shows of Los Angeles duo 100 Onces’ extensive tour which saw them travelling around the UK, Eastern Europe, Russia and back to Ireland. The feeling that we’re in an attic is largely owing to the lack of much light of any sort and the cluttering of three band’s worth of equipment in the corner. It’s not a bad feeling at all, and it…
-
-
There is a strange significance to this idea of an artist belonging to somewhere; Joyce belongs to Ireland, Martin Scorsese belongs to New York and NWA belong to Compton. Is it that there is this collective longing to, in someway, be involved in something bigger than ourselves? That, by virtue of having been in Dublin in the early 20th Century, 1970s New York or 1980s Compton, we can somehow feel as though part of something great? Maybe it’s the idea of being heard; that by having a voice that belongs to our home, we can all band together and feel…
-
Featuring in studio photos by Liam Kielt, we chat to Belfast-based alt-rock trio Stonemasons about the writing, recording and release of their vehement new five-track EP, Lost Layers. Hey guys. For complete newcomers, how did the Stonemasons come about and get off the ground? Pod (Kerr, bass/vocals): We all grew up around the same area of North Antrim. Blaney was playing guitar in a pop-punk called Breaking Even and McCann and myself were playing covers with a different drummer. We initially met through from beating lumps out of each other on a hurling pitch until a hazy 18th birthday party where we got chatting about…
-
Stonemasons launched their new EP with support from See Monkey See, Small Hawk Orchestral and Salad Boyz. Photos by Liam Kielt.