The Smile live at the 3arena in Dublin last night. Photos by Sean McMahon
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A potent side-effect of modernity is the prevalent disconnection we experience from our inner selves; Freud identified the basic, instinctual drive of humans as the ‘id’, Jung was interested in the ‘anima’ of man — the ‘feminine’ aspect of the brain underlying the conscious self. These concepts of double identities had been prevalent in psychology before the mass subsumption of digital technology, but have since gained a new and increasingly urgent significance. With OK Computer in 1997, Radiohead developed a seminal text reflecting on modern technological anxiety. 22 years later, Thom Yorke’s perspective has shifted from the potentiality of the…
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With the increasingly long gaps between Radiohead albums in their latter years, three of the band’s members so far have managed to put this downtime to good use exploring their own projects on the side. And for a band so heavily focused on sounds and texture, it’s no surprise that all three of them have found themselves drawn to soundtrack work in one way or another – most notably Jonny Greenwood, whose string of collaborations with Paul Thomas Anderson this year earned him an Oscar nomination for Phantom Thread. Drummer Philip Selway too, having reinvented himself as a hushed folk…
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Listen Thom, we need to talk. It’s not me, it’s you. You’ve decided to release your new record, Tomorrow’s Modern Boxes via Bittorrent. Conceptually, it’s neat wee idea, using the model which the industry has railed against for the last 15 years. It’s cheeky and somewhat clever, but a bit ‘too little too late’ considering the success of services like Bandcamp. The album’s release model is also stuck with being compared, quite fairly, to the ‘Pay what you want’ model of 2007’s In Rainbows. The thing is, that album legitimately challenged how we experience and release music in the modern…