As with last year, it’s been another stellar for Irish compilations. From Live @ Fennor Lane and Buntús Rince: Explorations in Irish Jazz, Fusion & Folk 1969-81 in the first half of the year, to Cítog Records Vol. 4 and Wacker That! by Belfast imprint Touch Sensitive in the second, we’ve been gifted all kinds of carefully-compiled, far-reaching sounds from labels, producers and collectives right across the island. Joining the list, right on the cusp of 2020, is How Bazaar, the seventh installment of Limerick imprint-of-sorts Unscene’s consistently rewarding compilation series. And what a trove it is, too. Offering up sounds that span drone, turntablism, hip-hop, improve, noise,…
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In the late 70s and early 80s the Irish charts were rife with blokes brandishing electric guitars, the likes of Queen, Dire Straits and The Police all consistently taking the top spot in singles charts. It was clear that rock music ruled the roost. Meanwhile over in the states, Americans were by and large still enjoying funk and R&B laced pop from the likes of The Bee Gees and Stevie Wonder. Although this groove based music didn’t make half as much of a dent in the Irish charts, a new collection of underground Irish groove tracks from the Dublin based record label All City shows that Irish music in the late 70s and early 80s…
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Kompakt, surely Germany’s most pragmatic electronic label, have it pretty damn good. Not only do they operate from one of the most historically rich techno hubs in Europe, but as an independent and well-respected label they have become part of that same cultural relevance. The label has been lovingly grown from its record shop roots in the early 90’s and their propensity for sparse, subtly textured electronica has dominated their output up to the present day. Their latest compilation is the fourteenth installment of their Pop Ambient series and from the beginning seems to efficiently comply with the label’s sonic modus…